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29 Minutes/ Color/ DCP/ 2018

Synopsis: A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya’s presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.

Screenings:

  • (World Premiere) Signs of Life section, 71st Locarno Festival
  • International Competition, Arkipel Jakarta International Documentary and Experimental Film Festival (Jury Award)
  • Modes Series, 37th Vancouver International Film Festival
  • International Competition, 14th 25FPS Festival Zagreb
  • International Competition, lll Moscow International Experimental Film Festival (Awarded Top Prize)
  • 11th Kaunas International Film Festival
  •  “25fps v Ljubljani”, Slovenska Kinoteka, Slovenia
  • In Competition, 22nd Thai Short Film and Video Festival (Grand Prize R.D. Pestonji)
  • “M+ Screening: Southeast Asia Moving Image Mixtape”, Broadway Cinematheque, Hong Kong
  • Khonkaen Manifesto, Thailand
  • In Nuevos Caminos (New Pathways) section, 25th FICVALDIVA, Chile
  • International Competition, 22nd Internationale Kurzfilmtage Winterthur, Switzerland (Promotional Award)
  • Stille Post: Übersetzungsvorgänge, 35th Kasseler Dokfest, Germany
  • Competencia Nuevos Lenguajes, 7th Antofacine, Chile
  • VIII Festival Margenes, Madrid, Spain
  • “Meta-Narrative”, Ploimuk Short Film Festival 61, Mukdahan, Thailand
  • Southeast Asian Competition, 29th Singapore International Film Festival
  • National Gallery of Art, Vilnius, Lithuania
  • 3rd Kham Film Festival, Maha Sarakham, Thailand
  • Moungman Film Festival, Bangkok, Thailand
  • Labo Section, 14th Prague Short Film Festival, Czech Republic
  • Thailand Now: Freedom of Speech, 31st Minimalen Short Film Festival, Norway
  • Rabbit Hole, Perspectives section, 48th International Film Festival Rotterdam, The Netherlands
  • -“Taiwan-Thailand Film and Civil Society: Politics, Gender, Democratization Project”, Bopiliao historical block, Taipei
  • New Thai Cinema, Harvard Film Archive, MA, United States
  • 15th Akbank Short Film Festival, Turkey
  • “Panorama International – Are we watching a documentary right now?”, 31st FILMFEST DRESDEN, Germany
  • “Neither Created or Destroyed- Competition Shorts”, 46th Athens International Film +Video Festival 2019, USA
  • 28th International Film Festival Innsbruck, Austria
  • CROSSROADS 2019, San Francisco Museum of Modern Art (SFMOMA), USA
  • “The Nomad Sets Off For the Desert”, Display Gallery, Czech Republic
  • “Shorts: On the Border”,  Bertha DocHouse, Open City Documentary Film Festival, London, UK
  • “S-Express Thailand”, SeaShorts Film Festival, Malacca, Malaysia
  •  IFFR selection, “Days of Future Past II”, Into the Great Wide Open Festival, Vileland, The Netherlands
  • “S-Express Thailand”, Wathann Film Festival, Yangon, Myanmar
  • – “S-Express Thailand”, Bali International Film Festival, Minikino Film Week, Indonesia
  • “Beyond the Canvas”, Black Canvas Festival de Cine Contemporaneo, Mexico
  • “International Competition Short Film”,  The 17th International Festival Signes de Nuit, Paris, France
  •  Asian Shorts section, Ngilngig Asian Fantastic Film Festival Davao, Philippines
  • FILMVIRUS WILDTYPE: PHANTOM”, 4th Kham Film Festival, Mahasarakham, Thailand
  • FICTION NON FICTION exhibition, Passion Cinematheque, Macau
  • “International Competition: Public Space and Urban Anxieties”, Bucharest International Experimental Film Festival, Romania

Awards:

  • Promotional Award of the International Competition, 22.Internationale Kurzfilmtage Winterthur
  • Top Prize, lll Moscow International Experimental Film Festival.
  • Jury Award, 6th Arkipel Jakarta International Documentary and Experimental Film Festival
  • Grand Prize (Best Short Film) in R.D. Pestanji competition,  22nd Thai Short Film and Video Festival
  • Runner-up Prize Nok Som Award by Thai PBS, 22nd Thai Short Film and Video Festival

 

 

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